A middle-of-nowhere location, precarious camerawork and physical strains were hardly the only challenges Boyle’s team faced in filming “127 Hours,” a Fox Searchlight release arriving in ...

Wednesday night’s premiere of “127 Hours” at the Academy’s Samuel Goldwyn Theater was in many ways business as usual for Danny Boyle’s film. It got lots of attention for the energy and ...

As I left the line-up to investigate, I ran into Boyle, the director, and told him there were a lot of jokes flying around about waiting 127 hours for 127 Hours. Long story short.

Before they joined forces on “127 Hours,” director Danny Boyle and screenwriter Simon Beaufoy had collaborated on just one movie — but what a film that was. “Slumdog Millionaire” not ...

Danny Boyle's next project after the '28 Years Later' trilogy has now been set, with Guy Pearce and 'SInners' Jack O'Connell ...

At first, cinematographer Anthony Dod Mantle jokes about the challenge of shooting much of Danny Boyle’s “127 Hours” in an ultra confined space. It was actually two spaces — the actual ...

I was pleased to see that my favorite film of 2010, Danny Boyle’s magnificent and exhilarating “127 Hours” got both a Best Picture and a Best Adapted Screenplay nomination today, … ...

Strangely, "127 Hours" serves as a persuasive tourism promotion for getting away from it all and going exploring in middle-of-nowhere Utah.Really, it does, even after James Franco finds himself ...

That instant is re-created with a gleeful laugh by James Franco, who plays Ralston in director Danny Boyle’s “127 Hours,” which opens in selected theaters Friday and chronicles in agonizing ...

Amazingly, this is what he did. And it is the recreation of the self-amputation which have left those watching 127 Hours, British director Danny Boyle's new film, utterly stunned.

Humble or not, he’d better get used to it, because judging by the buzz his latest endeavor, “127 Hours,” is generating, there will be even more of those respectful salutations headed his way.

As such, Boyle's 127 Hours comes off as a dynamic rendering of the concept of "now" -- it's a veritable treatise for the times we find ourselves in.