This essay was originally published November 2022 as a chapter in the book Documentation as Art, edited by Annet Dekker and Gabriella Giannachi. In the preservation of digital art, documentation is ...

Installation view, “Camera Rider” at Team Gallery, New York, 2019. Courtesy of Team Gallery. The latest in a series of interviews with artists who have a significant body of work that makes use of or ...

Viktor Timofeev, DOG (2021). Installation view at Interstate Projects, New York. Hard pastel, acrylic on wall. Courtesy of Interstate Projects, New York. The latest in a series of interviews with ...

Nathalie Lawhead, (☞ﾟヮﾟ)☞ unleashed desktop pets, 2015. Screenshot of a bunch of Nathalie’s software running at once. Courtesy of Nathalie Lawhead. The latest in a series of interviews with artists ...

Rhizome has added fifteen artworks on the theme of “Executable Poetry” to the Rhizome ArtBase, our archive of more than 2000 born-digital artworks. Selected by a jury via a public open call, these ...

Cover image: Screenshot of BookStory’s opening title screen, featuring the interior of the Kurome Shobo bookstore. Usually, a Google Sheet is the site of bureaucratic misery and numbing digits; the ...

For its blockbuster sale of Beeple’s Everydays: The First 5000 Days, an artwork in the form of an NFT and a digital file comprising thousands of images, Christie’s auction house published an essay ...

We're doing this to commit long-term to web archiving as a cultural practice, and to differentiate this online service from the core software components. Conifer will continue as a Rhizome service, ...

Maja Cule, Hanging from the 8th floor of the South side of The Trump Building at 40 Wall Street, (2013) (featuring: Marlous Borm). From “Performance GIFs,” 2013, curated by Jesse Darling. Screenshot, ...

The latest in a series of interviews with artists who have a significant body of work that makes use of or responds to network culture and digital technologies. Simone Krug: So much of your work is ...

This interview is part of a series of interviews with artists who have a significant body of work that makes use of or responds to network culture and digital technologies. Angela Washko: In the ...

This essay accompanies the presentation of Cornelia Sollfrank’s Female Extension as a part of the online exhibition Net Art Anthology. Michael Connor: How did you hear about Extension? Cornelia ...