How often do we really examine curatorial contributions – not simply to an exhibition, but to the care and display of ...

Illness meant that we missed the window to publish our usual pick of the week’s arts, design, film and music events from ...

“What would Liverpool be without it?” On the eve of Liverpool Biennial 2025, C James Fagan ponders his sometimes complex, on-going relationship with the UK’s largest festival of contemporary art… It’s ...

The stone simply indicates where his remains are buried. What about his life, identity, choices? His family, his legacy?

In its still short lifespan, gaming has come a long way. It enjoys something approaching a ubiquitous presence, one whose reach extends to impacts social and political, as well as cultural. 2018 saw a ...

As interdisciplinary as its other programmes, Photography MA students are experimenting with everything from analogue to neuroscience, fabrication and sculpture. Laura Robertson talks to their ...

Colour, line, and the female form converge, as minimalist painter Daniel Halsall exhibits works on paper, inspired by Schiele, Matisse, Picasso and others. Tuesday – Lucrezia Zaina Bequest Lecture ...

Starring Griffin Dunne as a fish out of water caught in unfamiliar downtown SoHo, After Hours is rarely listed as one of Martin Scorsese’s masterpieces; perhaps because it sits somewhat uneasily amid ...

“Opportunities to engage with names other than the movement’s usual suspects are all too rare.” Mike Pinnington on a close encounter with the geometric abstraction of Ding Yi… When we think about ...

To mark their recent smash success with the Big Give appeal, Laura Robertson speaks to Arts Emergency CEO Neil Griffiths about why it’s absolutely essential to keep on advocating for working-class ...

“A feeling, a period, a mood.” Mike Pinnington on Veronica Watson, whose portraits – celebrated in new publication All Together Now – currently adorn the Bluecoat’s upstairs gallery… What does it mean ...